August 24, 2022
We all know that family portraits can be a little intimidating as the photographer. š
Thereās a big group of people, family dynamics, and ultimately, everyoneās looking at YOU to tell them what they need to do and where they need to go to look their best!
If youāve felt this way before, donāt sweat it ā Iāve been there, too, and I want to share what Iāve learned with you. In this lesson, I hope to give you valuable nuggets to better your family sessions next time youāre photographing a wedding.
Read on for 11 tips to create beautiful family portraits at your next wedding. š
The first thing I suggest is simple, but effective: go in and say hi!
Introduce yourself as the photographer, give them your name, and let them know youāre going to keep things brief and organized ā that way, they know what to expect.
Itās also great for you to begin to create a rapport with them, so when the big day comes, they donāt feel like a stranger is bossing them around⦠because no one likes that!
Think about these two different scenarios:
Or:
Do you see the difference? Learning peopleās names is a very small thing you can do to make a very big impact. š„
In addition to getting their names on the timeline ā before the wedding ā refresh yourself on their names in advance. Then, when you get there, you can put a face to their name.
That way, you can give people specific, name-oriented directions to help them learn where they need to go while theyāre getting their photos taken.
One of the most challenging parts of taking family portraits is understanding how to handle family dynamics.
Sometimes thereās divorce, death, or other sensitive topics at play when families get together for photos. So itās VERY important to get this information in advance, before the wedding.
In my final phone call with a client 1-2 weeks before the wedding (so itās nice and refreshed in my brain), I ask:
By knowing this information, I can approach the family dynamics not only with confidence, but with certainty Iām putting people in photos that make sense.
After you gather all of the family dynamic information, I HIGHLY encourage you to write down all the people in every single family portrait by first name on their timeline with ā in parenthesis ā who they are and who they are in relation to the client.
For example, if Iām photographing the brideās momās family, followed by the brideās dadās family, and letās say her parents are divorced, Iām going to write down the following for the first portrait: āBride and Groom AND Caroline, John, and Joe (Brideās Momās Family)ā and on the next portrait: āBride and Groom AND Mark, Peter, and Beth (Brideās Dadās Family).ā
When you get first names and put in parentheses who they are, that will keep you from stumbling over whoās who on the day of the wedding. Plus, by that point, youāll already have introduced yourself and can probably put names to faces!
This makes a TREMENDOUS difference and I promise you, it will leave you feeling more confident when dealing with some less-than-comfortable family dynamics!
When Iām posing the full family, Iāll typically place the mother and father of the client ā if they are present ā closest to the couple, and then put siblings on the outside.
If itās a photo with just the parents, Iāll split them on either side of the bride and groom. But if itās the parents and the siblings and theyāre still married, Iāll put the parents together on the side closest to their child (meaning, if itās the brideās parents, Iāll put her parents next to her and her siblings next to her significant other).
These are tried-and-true go-to poses that just make sense and always look good! š
This is a small detail, but an important one: if youāre photographing the groom and heās wearing a jacket with a button, you want to avoid the jacket pulling at the button.
To help the groom look his best, try one of these options:
These easy go-to poses will help your groom look his best on his big day š¤µš»
You want every person in the family session to look their best for their photos, right?
That means I want you to be unafraid to step in and fix their hair, adjust their boutonnieres, or even give them a little bit of posing guidance. I know, this might sound a little uncomfortable, but I promise⦠theyāll be glad you did when their photos come back looking amazing! š¤©
Want to hear one of my go-to instructions?
While Iām taking their portraits, if I find the females in the family are looking really stiff, I always tell them to bend the leg closest to the camera and lean in a little bit. Right away, they look more relaxed. šš¼
These are little nuances that make them feel like youāre looking out for them ā and ultimately, it DOES make a better final product in the image. š¼ļø
I actually donāt take height into consideration when Iām posing a wedding party or a family!
To me, height is height. Itās a natural part of who we are, and I donāt let that determine where people are positioned in a photo.
If anything, Iām looking at the relationship to the client in the image. For example, if a client is closer to her sister-in-law than to one of her friends, Iām going to position her sister-in-law closest to the bride ā regardless of her height.
I personally feel like singling people out for physical attributes can feel yucky to that person, and bring attention to something they might be self-conscious about. I strongly encourage you to stay away from positioning people based on height.
The only time I will reposition people based on height is when I truly cannot see them. They could be very tall, and I still might not see them! Ultimately, when I donāt see someone well in a photo, I will move them around in order to see their face ā but I never create a V based on height.
I allow the image to be very organic and based on the relationship to the client. š·
When youāre photographing family and/or wedding parties, I encourage you to photograph both horizontal and vertical versions, as well as close-up and full-length images.
You never really know what peopleās preferences are. Some people prefer to see close-up whereas others prefer to see everyoneās outfits.
So, you want to have multiple options available to clients, because oftentimes itās hard to produce a virtual copy of a wide-shot when you only have a close-up.
Once you have your bases covered ā meaning, everyone is smiling and looking at the camera ā then you can get creative.
Have them lean in, or ask them to laugh together. Maybe you have them loosen up and change up their hand positions. Once you cover your bases, feel free to experiment!
When Iām trying to get creative and give variety, Iāll have them do something ā like walking, or helping the bride fluff her dress ā that creates motion. But donāt overdo it, which leads me to my last tipā¦
My last tip to you? Get what you need and let them enjoy their day!
Iām a firm believer in the importance of strong portraiture and timeless imagery. However, Iām always a firm believer that, at the end of the day, good images are a reflection of a good time. So, let them get back to enjoying a great time with the people they love! š„³